Author Archives: Rob Maslen

Aspects of the Early Modern Fantastic in Shakespeare’s The Tempest. 2.

[This is the second part of a paper I gave this week at the University of St Andrews. The first part considered some general approaches to the early modern fantastic. The second part considers Shakespeare’s The Tempest as an example of … Continue reading

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Aspects of the Early Modern Fantastic in Shakespeare’s The Tempest. 1.

[This is the first part of a paper I gave this week at the University of St Andrews. It considers some general approaches to the early modern fantastic. The second part considers Shakespeare’s The Tempest as an example of what might happen … Continue reading

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The Time Machine and the Origins of Modern Fantasy

At a recent conference in Fudan University a Professor asked me about the difference between fantasy and science fiction, and I gave my usual somewhat glib reply. In a science fictional world, if you asked how something worked you would … Continue reading

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The Magic Books of C. S. Lewis and H. G. Wells

Reading a book is an act of conjuration. When we open books we raise the dead to new life, jump across spectacular gaps in space and time, release into the atmosphere concepts and ambitions long forgotten, experience the griefs and … Continue reading

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Night at the Museum: Fantasy Scotland. A Retrospective, Part 2

[This post contains material relating to the recent event at the University of Glasgow’s Hunterian Museum, which took place on 24 November 2017. It also contains the quiz, with all the answers!] The Quiz Visitors were asked to find the answers … Continue reading

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Night at the Museum: Fantasy Scotland. A Retrospective, Part 1

On Friday 24 November, between 7 and 10 pm, an event took place in The Hunterian Museum at the University of Glasgow. Night at the Museum: Fantasy Scotland was conceived as a celebration of the links between Scotland and the … Continue reading

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Bedbound

One morning, Mr McGhee rolled over in bed and refused to get up. ‘Are you all right, love?’ asked his wife. She shook him a couple of times, then went to phone his work. ‘Tommy’s ill, I’m afraid,’ she said. … Continue reading

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Octavia Butler and the Impossibility of Slavery

[For Black History Month 2017] At the heart of Octavia Butler’s novel Kindred is the question of writing. How to write truthfully, effectively, humanely, about past atrocities: atrocities on a scale that can’t be conceived of, involving crimes that can’t … Continue reading

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Autumn Lights

At nightfall when the cottage lights went on the street should have been plunged in an abysmal darkness; but where Mr Printon (being an educated man) knew the stars must be, although he had never seen a star, there was … Continue reading

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Comedy Comes of Age in Shakespeare’s All’s Well

[I gave a version of this piece as a lecture at the Shakespeare Institute, Stratford-upon-Avon, in 2009, at the invitation of John Jowett. It’s pretty closely in dialogue with my book Shakespeare and Comedy (Arden, 2005), especially Chapter 3, ‘Lightness, … Continue reading

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