Category Archives: Early Modern

Comedy, Gender and Freedom of Speech in the Plays of Lyly and Marlowe

[I’ve recently been working with Dermot Cavanagh on a special issue of the Journal of the Northern Renaissance in honour of our friend Alison Thorne, who was forced by illness into early retirement. While writing the introduction to the issue … Continue reading

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Utopia, Laughter and Reformation: Erasmus, More and Rastell

For some time now I’ve been thinking about writing a book about English comic fiction and the Reformation – no doubt one of those many lost books that will never get finished. It’s an odd combination, certainly: a religious crisis … Continue reading

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Marlowe’s Ghost: The Second Report of Doctor John Faustus (1592)

[This essay was first published in Airy Nothings: Imagining the Otherworld of Faerie from the Middle Ages to the Age of Reason: Essays in Honour of Alasdair A. MacDonald, eds. Karin E. Olsen & Jan R. Veenstra (Leiden: Brill, 2014), 1-24. … Continue reading

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Generals and Degenerates in Shakespeare’s Troilus and Cressida

Shakespeare wrote Troilus and Cressida in 1602, after the execution for treason of Robert Devereux, Earl of Essex, in the protracted final years of Elizabeth I. With the death of Essex a phase of Shakespeare’s life came to an end. … Continue reading

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Shakespeare’s Comic Imagination

This post begins and ends with two comedies in which Shakespeare unleashed the full force of his imagination on the space of the stage: A Midsummer Night’s Dream and The Tempest. Both of these plays have plots not directly derived … Continue reading

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Shakespeare’s Venus and Adonis and the Death of Orpheus

Venus and Adonis (1593) is Shakespeare’s cheeky and disturbing contribution to the fierce contemporary debate over the function of poetry. The poem was his first published non-dramatic work, an opportunity for the young author to drop clues about his poetic … Continue reading

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Wonders of the Northlands: Hamlet and Macbeth

Hamlet and Macbeth are the Shakespeare plays with the most northerly settings. Elsinore in Denmark, where Hamlet is set, lies pretty much on the same latitude as the Perthshire countryside where much of the action in Macbeth takes place, and … Continue reading

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