{"id":4456,"date":"2021-09-02T07:35:59","date_gmt":"2021-09-02T07:35:59","guid":{"rendered":"https:\/\/fantasy.glasgow.ac.uk\/?p=4456"},"modified":"2021-09-02T07:35:59","modified_gmt":"2021-09-02T07:35:59","slug":"cfp-gifcon-2022-fantasy-across-media","status":"publish","type":"post","link":"https:\/\/fantasy.glasgow.ac.uk\/index.php\/2021\/09\/02\/cfp-gifcon-2022-fantasy-across-media\/","title":{"rendered":"CFP: GIFCon 2022: Fantasy Across Media"},"content":{"rendered":"\n
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The Centre for Fantasy and the Fantastic<\/a> is pleased to announce a call for papers for Glasgow International Fantasy Conversations (GIFCon)<\/a> 2022 with the theme of ‘Fantasy Across Media’.<\/p>\n\n\n\n

Much of fantasy studies has focused on the genre\u2019s presence in literature, with histories and theoretical frameworks often either implicitly or explicitly centring the written word. In some cases, academic, critic, and fan responses to the genre outside of literature even go so far as to erase or question the possibility of the genre\u2019s existence in other media, perhaps most famously embodied in J.R.R. Tolkien\u2019s insistence in \u2018On Fairy-stories’ that some media, such as drama, are fundamentally incompatible with fantasy. These types of responses fail to account for the medium-specific benefits and challenges that different media pose for depictions of the impossible, serving to establish hierarchies between media, exclude non-literary media from analyses of the genre, and potentially limit a full understanding of the genre\u2019s history.<\/p>\n\n\n\n

Fantasy and the fantastic have had long, rich histories outside of literature, playing a central role in the development of theatre, film, and comic books, and celebrating a more recent boom on the small screen. Furthermore, from the innumerable reimaginings of the Arthurian tradition, to The Wizard of Oz<\/em>, to manga and anime, to contemporary multimedia franchises and cinematic universes, fantasy texts have been integral to the history of transmedia storytelling, allowing their rich storyworlds to expand across multiple media. By examining fantasy with a focus on media, we find a genre shaped in distinct ways by the many different media and creative industries that produce it, with specific creative processes and varying cultural media traditions opening onto distinct forms of fantasy that may not be properly accounted for in fantasy studies\u2019 traditional focus on Anglophone literature.<\/p>\n\n\n\n

GIFCon 2022 is a three-day virtual conference that seeks to examine the myriad narrative possibilities afforded by fantasy across media. We welcome proposals for papers relating to this theme from researchers and practitioners working in the field of fantasy and the fantastic across all media, whether within the academy or beyond it. We are particularly interested in submissions from postgraduate and early career researchers, <\/strong>and researchers whose work focuses on non-Anglocentric fantasy. We will also offer creative workshops for those interested in exploring how the creative processes of different media shape fantastic storytelling on a practical level. <\/p>\n\n\n\n

We ask for 300-word abstracts for 20-minute papers<\/strong>. See our Suggested Topics list below for further inspiration. <\/p>\n\n\n\n

Please submit a 300-word abstract and a 100-word bionote via <\/strong>this form<\/strong><\/a> by December 3rd<\/sup> 2021 at midnight GMT<\/strong>. <\/strong> <\/p>\n\n\n\n

If you have any questions regarding our event or our CfP, please contact us at GIFCon@glasgow.ac.uk<\/strong><\/a>. Please also read through our Code of Conduct<\/strong><\/a>. We look forward to your submissions! <\/p>\n\n\n\n

Suggested topics include, but are not limited to, the following: <\/p>\n\n\n\n